I have had more queries about starting out making wigs. As a result, I have added a search box to help people find information in previous blog posts. Please use it before contacting me, as I may have already provided you with the information and answer.
To recap, this post is helpful for anyone getting started: http://makingwigs.blogspot.co.uk/2012/05/how-to-get-started-in-wig-making-and.html
I definitely suggest getting the book (and no, I am not an affiliate/don't get paid to say that!), as it will help you to learn wig terminology and provides a useful reference tool, as well as plenty of inspiration.
Wig making supplies -
My UK recommendations are here: http://makingwigs.blogspot.co.uk/2013/01/where-to-buy-supplies.html
There are others in Europe, but for various reasons including price and ease of ordering, these would be my preference if you are living in Europe. You should be able to order from those companies internationally too (so if you are in the US or Canada, don't discount them), but obviously shipping costs may be prohibitive.
If you are in the US, then His and Her sell wig making supplies. There are other places that sell bits and bobs, but His and Her has the widest selection. Alcone Company sells some products and is worth a look: http://www.alconeco.com/Products/Character/Wig-Making-Supplies I have not used either of the US companies - shipping is too expensive and I can get what I need on my side of the pond, so to speak.
I shall also start a glossary of terms, so that people who are confused what various terms mean can refer to it.
Learning the art of wig making - wig design and construction, ventilation (knotting), materials and tools needed to get started.
Showing posts with label wig making supplies. Show all posts
Showing posts with label wig making supplies. Show all posts
Thursday, 4 April 2013
Monday, 18 March 2013
Choosing Wig Lace and an Update
I have been away for a while battling flu and sinusitis. I am still struggling with the latter, but hope to be back to blogging more regularly now.
I had a comment to my post about laying your lace down on the block, and I thought I would quickly address the reply/response here as the information may be useful to other blog readers.
The question was this:
Hello, thank you for all the info!
I just have a question though..
What type of lace do you recommend?
I'm from Greece so I have a hard time using english terms for the lace I need. (Simply saying swiss or french lace won't do it)
Maybe you could tell me how this lace should look like? (how soft, how large are the wholes, is it strechy etc) so i would know what I'm looking for...
Also, one last thing, I search my lace at fabric stores, do you think there's another place more qualified for me to search?
The lace - whether termed Swiss, French, German - is a specific type of 'lace' (which is actually a net fabric) that is designed for wig making. Although certain types of it are often considered fragile, it is quite strong and usually made from a monofilament type fibre (similar to the thread used in fishing lines). You will find net or tulle at the fabric store, but that fabric is designed for dress making or for making underskirts to go under dresses and skirts. What you need is wig making lace. You can buy it from wig making suppliers.
You can find two suppliers I recommend here: http://makingwigs.blogspot.com/2013/01/where-to-buy-supplies.html
An example of the type of lace you might wish to buy is this: http://www.royer.co.uk/products.php?show=74
These would also work:
Terms you see used are: superfine Swiss, Swiss, French, German, monofilament, mononet and tulle. I will be making a blog post shortly with more detailed explanations about these different types of materials. The main thing to do when trying to pick a lace for making a wig is if you are unsure buy from a wig making suppliers. At least this way, you will be using something designed for making a wig. You can also always ask the supplier for their advice.
In the case of Hugo Royer, the lower the 'den' (or denier) number, the finer the lace or net (meaning it is more fragile and less durable, but also less visible and blends very well if bonded). Sometimes you can ask for a small sample of the lace or net, and the company will send it for the price of shipping. It is always worth asking, as this gives you a chance to see the colour as well as the texture and how fine it is. When starting out, I suggest buying no more than a metre at most . If the lace turns out to be wrong, you have not wasted too much money and you may later find a use for it, or can sell it to someone else who might use it. If the lace is correct, you can always buy more.
One a side note - I have had a discussion recently with someone else who follows this blog and who I am friends with. They wish to use the type of net and tulle found at the regular sewing fabric store. I am not saying it is unusable, as you can definitely use it for certain purposes. I have used it in the past to practice ventilation on and to make prototypes of wig caps - where I did not want to waste the proper wig making lace, which is very expensive. It is good for experimenting with or when you are learning how to make a wig cap so that you can learn to get the right fit for the measurements you have taken. It can also be good for a wig that will be worn as part of a costume or infrequently. The type of net/tulle found at the sewing stores has a tendency to rip or catch more than the wig making lace, and this is especially true if using a wig ventilation needle. Some people are choosing to make wig caps from this type of material and using a latch hook to do their knots - this is better as it is less likely to catch or rip the material because it is not such a sharp tool as a ventilating needle. The downside of this material is that it tends to come colours that are less blendable with people's skin tones, and compared to the type of wig making lace I use, the holes are much more visible as they are far bigger.
I hope this helps.
I had a comment to my post about laying your lace down on the block, and I thought I would quickly address the reply/response here as the information may be useful to other blog readers.
The question was this:
Hello, thank you for all the info!
I just have a question though..
What type of lace do you recommend?
I'm from Greece so I have a hard time using english terms for the lace I need. (Simply saying swiss or french lace won't do it)
Maybe you could tell me how this lace should look like? (how soft, how large are the wholes, is it strechy etc) so i would know what I'm looking for...
Also, one last thing, I search my lace at fabric stores, do you think there's another place more qualified for me to search?
The lace - whether termed Swiss, French, German - is a specific type of 'lace' (which is actually a net fabric) that is designed for wig making. Although certain types of it are often considered fragile, it is quite strong and usually made from a monofilament type fibre (similar to the thread used in fishing lines). You will find net or tulle at the fabric store, but that fabric is designed for dress making or for making underskirts to go under dresses and skirts. What you need is wig making lace. You can buy it from wig making suppliers.
You can find two suppliers I recommend here: http://makingwigs.blogspot.com/2013/01/where-to-buy-supplies.html
An example of the type of lace you might wish to buy is this: http://www.royer.co.uk/products.php?show=74
| Which is - 2906 | Nylon mononet | 40 denier 60 cm wide skin shade STANDARD STAGE LACE |
| 2905 | Nylon mononet | 20/30 den 60 cm wide skin shade FINE STAGE LACE (this will be more fragile and less durable) |
| 3104 | Ultra fine H/T front lace | 60 cm wide 20 denier lace skin tone for fine fronts STAGE & FILM (again this will be more fragile and less durable, although it would make a good lace front as it should blend well - it will be unlikely to withstand long-term vigorous bonding over many months) |
Terms you see used are: superfine Swiss, Swiss, French, German, monofilament, mononet and tulle. I will be making a blog post shortly with more detailed explanations about these different types of materials. The main thing to do when trying to pick a lace for making a wig is if you are unsure buy from a wig making suppliers. At least this way, you will be using something designed for making a wig. You can also always ask the supplier for their advice.
In the case of Hugo Royer, the lower the 'den' (or denier) number, the finer the lace or net (meaning it is more fragile and less durable, but also less visible and blends very well if bonded). Sometimes you can ask for a small sample of the lace or net, and the company will send it for the price of shipping. It is always worth asking, as this gives you a chance to see the colour as well as the texture and how fine it is. When starting out, I suggest buying no more than a metre at most . If the lace turns out to be wrong, you have not wasted too much money and you may later find a use for it, or can sell it to someone else who might use it. If the lace is correct, you can always buy more.
One a side note - I have had a discussion recently with someone else who follows this blog and who I am friends with. They wish to use the type of net and tulle found at the regular sewing fabric store. I am not saying it is unusable, as you can definitely use it for certain purposes. I have used it in the past to practice ventilation on and to make prototypes of wig caps - where I did not want to waste the proper wig making lace, which is very expensive. It is good for experimenting with or when you are learning how to make a wig cap so that you can learn to get the right fit for the measurements you have taken. It can also be good for a wig that will be worn as part of a costume or infrequently. The type of net/tulle found at the sewing stores has a tendency to rip or catch more than the wig making lace, and this is especially true if using a wig ventilation needle. Some people are choosing to make wig caps from this type of material and using a latch hook to do their knots - this is better as it is less likely to catch or rip the material because it is not such a sharp tool as a ventilating needle. The downside of this material is that it tends to come colours that are less blendable with people's skin tones, and compared to the type of wig making lace I use, the holes are much more visible as they are far bigger.
I hope this helps.
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